Tracklist

–A-Sides	At It Again	4:15
–Uncle 22	Dance Bad	7:00
–Cool Hand Flex	Feel The Rhythm	5:49
–Lennie De Ice	We Are I.E.	7:41

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
RTOR	Various	We Are I.E. ‎(12")	I.E. Records, Reel 2 Reel Productions	RTOR	UK	1991
RTOR	Various	We Are I.E. ‎(12", W/Lbl)	I.E. Records, Reel 2 Reel Productions	RTOR	UK	1991
IE-001	Various	We Are IE ‎(12", Sta)	i.e. Records	IE-001	UK	1991
RTOR	Various	We Are IE ‎(12", W/Lbl)	i.e. Records	RTOR	UK	1991
RTOR	Lennie De Ice	We Are IE ‎(12", W/Lbl, Sta)	i.e. Records	RTOR	UK	1991
IE-001	Lennie De Ice	We Are IE ‎(12", W/Lbl, Sta)	i.e. Records	IE-001	UK	1991
RTOR	Lennie De Ice	We. I E ‎(12", Promo, W/Lbl)	i.e. Records	RTOR	UK	1991
555540	Lenny D Ice & The House Crew	Lenny D Ice & The House Crew - We Are I.E ‎(12", W/Lbl)	Not On Label	555540	UK	1992
555540	Lenny D Ice & The House Crew	Lenny D Ice & The House Crew - We Are I.E ‎(12", W/Lbl, Sti)	Not On Label	555540	UK	1992
DMR 001	Lennie De - Ice	We Are IE / You're Kill In Me ‎(12")	Dark Matter Recordings	DMR 001	UK	1998
DMR 001	Lennie De Ice	We Are IE / You're Kill In Me ‎(12", TP, W/Lbl)	Dark Matter Recordings	DMR 001	UK	1998
- - -	Lennie De Ice	We Are I.E (Johan-s Filterman E-Dub Mix) ‎(Acetate)	Distinct'ive Records	- - -	UK	1999
DISNTX 50	Lennie De Ice	We Are I.E ‎(12", W/Lbl)	Distinct'ive Records	DISNTX 50	UK	1999
DISNT 50	Lennie De Ice	We Are I.E. (Part 1 of 2) ‎(12")	Distinct'ive Records	DISNT 50	UK	1999
DISNTX 50	Lennie De Ice	We Are I.E. (Part 2 Of 2. Hybrid Remixes) ‎(12")	Distinct'ive Records	DISNTX 50	UK	1999
DP 50/2	Lennie De Ice	We Are I.E. (Promo 2) ‎(12", Promo)	Distinct'ive Records	DP 50/2	UK	1999
DP 50/1	Lennie De Ice	We Are I.E. ‎(12", Promo)	Distinct'ive Records	DP 50/1	UK	1999
DP 50/3	Lennie De Ice	We Are I.E. ‎(12", Promo)	Distinct'ive Records	DP 50/3	UK	1999
DPX502	Lennie De Ice	We Are I.E. ‎(12", Promo)	Distinct'ive Records	DPX502	UK	1999
DP 50/3	Lennie De Ice	We Are I.E. ‎(12", W/Lbl)	Distinct'ive Records	DP 50/3	UK	1999
DISNCD 50	Lennie De Ice	We Are I.E. ‎(CD, Single)	Distinct'ive Records	DISNCD 50	UK	1999
none	Lennie De Ice	We Are I.E. ‎(CDr, Maxi, Promo)	Distinct'ive Breaks	none	UK	1999
DISN 50	Lennie De Ice	We Are I.E ‎(CD, Maxi)	Distinct'ive Records	DISN 50	UK	2003
none	Lennie De Ice	We Are I.E. ‎(6xFile, AAC, 256)	Y4K	none	UK	2008
Y4K021	Lennie De Ice	We Are IE ‎(12")	Y4K Recordings	Y4K021	UK	2008
Y4K021	Lennie De Ice	We Are IE ‎(12", TP)	Y4K Recordings	Y4K021	UK	2008
DISN058	Lennie De Ice	We Are I.E. ‎(6xFile, MP3, RE, 192)	Distinct'ive Records	DISN058	UK	Unknown
DISN058	Lennie De Ice	We Are I.E. ‎(6xFile, MP3, RE, 320)	Distinct'ive Records	DISN058	UK	Unknown
DISN058	Lennie De Ice	We Are I.E. ‎(6xFile, WAV, RE)	Distinct'ive Records	DISN058	UK	Unknown
SD 001	Lennie De Ice	We Are IE ‎(12", Unofficial, W/Lbl)	Not On Label (Lennie De Ice)	SD 001	UK	Unknown

Album Info

We Are I. Lennie De Ice. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. We Are the World is a 1985 album that contains USA for Africa's We Are the World, a superstar charity recording for famine relief efforts in Ethiopia. The album was released on April 23, 1985 by Columbia Records. In addition to the title track, the album includes nine previously unreleased songs by donating artists, including Prince, Chicago, Bruce Springsteen and the E Street Band a rendition of Jimmy Cliff's obscure Trapped recorded live at Meadowlands Arena on their Born in the . This record is a huge compilation of . Hardcore, Punk rock, Crust & Grindcore bands from The Northwest Portland, Oregon, Seattle We Are I. Etichetta: I. Records RTOR, Reel 2 Reel Productions RTOR. Formato: Vinyl, 12, 33 RPM. With the fat reggae style sub-bass bassline, sampled gunshot and the 'we are i. sample taken off Coldcut's first album 'What's That Noise', the vocal is in fact an arabian call-to-prayer type chant, which, if you get the album, you'll hear in full. Rispondi Visualizza 2 risposte Avvertimi 7 Helpful. Queen We Are the Champions. Радио 7. Bananarama Venus. Unfortunately, the station stopped broadcasting. Perhaps, this is a temporary station problem. You can leave your e-mail and we will let you know when the broadcast of the station will be online again: Or listen to the other country dec name stations. Play album. Warehouse Anthems. Various Artists. 213 listeners. Do you know the lyrics for this track Add lyrics on Musixmatch. From The Album. Don't want to see ads . Nil - We Are Various. Features Song Lyrics for We Are Various's I album. Includes Album Cover, Release Year, and User Ariwa 12th Anniversary Album - Various Artists - Ariwa Sounds. All the lyrics and translations to the album I by We Are Various

Performer

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Video

Mr_Mix

This is one of the 'big' landmark records that popped up in 1991 to start the journey into what became jungle & drum & bass. NO its not the first rave record to make use of the Winston Brothers 'Amen' break. Im sure that quite a few discogs train spotters will point this out. What it was though was one of the records that lit the fires that propelled the UK rave sound into dominance. Around the time this record came out, the UK rave scene didnt really have its sound or identity. Europe dominated & producers tended to mimick whatever was going on over there. Belgian Techno & Italian Piano house were the big sounds of the time. UK producers were trying to find something that could be British and push back against Europe. This record then came out & stamped its foot in the minds of UK ravers and producers. Finally the British had their own unique sound. As already stated it wasnt the first record to use the amen break but its use of the 'let me hear ya scream' sample and chopped up amens immediatley set the benchmark. British producers finally had the 'British' sound and boy, did europe know it!!

Meztisho

You can find a much earlier use of the classic sample 'we are ie' on C&C Music factory's Seduction 12" - check the Vocal Club Mixhttps://www.discogs.com/master/view/175340

MegaStar

Picked this particular pressing up many years ago in Reckless Records on Berwick Street in Soho, London. Written on the sticker that the people behind the counter had affixed to the sleeve was the artist, title plus "Original Mix & Pointless Remixes". So true, made me chukkle at the time and since. Worth picking up if you want to get hold of the original mix, which is the only mix worth having, cheaply rather than having to dig deeper into your pockets for a copy of the original pressing.Let me hear you scream.

Nicanagy

Ahhhhh, the Reckless day's.... What a great crew, both shops (Soho and Angel) still see zaf occasionally, his 'Love Vinyl' shop in Shoreditch still doing well. Those guys knew their sh*t & the label you mention is a typical example. Golden moments!

Castiel

The 'original' version is an edit with a chopped down intro.

Otrytrerl

In an Interview with Cool Hand Flex (http://www.friedmylittlebrain.com/cool-hand-flex-interview/) he states that 'Feel The Rhythm' was his tune, We R i.e. was by Lennie De Ice, and the other two tunes were by Uncle 22 & A-Sides.Notes on the tune from Lennie De Ice:"We Are IE" means we are an example to everyone, black, white, Indian, Chinese. I done it in a home studio on a 6-track mixing desk. It was made in 1988 but came out in 1991 on IE Records. I was listening to a lot of Mantronix for the futuristic beats, the way he used to sandwich stuff. A lot of people were using breaks combined with the progressive feel of the house music and drum machines. We started merging things. From there it progressed. We played it at Living Dream, East Way Cycling Centre to 17,000 people in an open-air tent. It was July 1991, it was a lovely, lovely buzz."Bryan Gee also turned down signing this for the Outer Rhythm label. In an interview with Danielle (10) she stated that this tune was engineered by Timmi Magic.

Narim

I always get 'Timmi Magic' mixed up with 'Timmy Mallet' from Wackaday. Bad Air Jordan's ;-)

Purestone

2 blacks and & bubbles was Top Buzz (Jason Kaye, Mikee B & Mad P). Timmi Magic was later in The Dreem Team.

Mash

...as above...Bryan must be pissed, but no worries as he made nuff good tracks after. Was Timmi the same guy as 2 blacks and a bubble?

Tiainar

Proud to own the exact copy used for the above label scan. I don't feel I need to comment on the significance of this release in relation to UK breakbeat, hardcore, jungle & D&B, but I guess I just did ;) Absolutely seminal (We i.e).

Fearlessrunner

just play side b at 33,3rpm. i actually think it is meant to be played at this speed ^^

Gralinda

Both the 'Hijack Remix' and the 'Drums Of Death remix' are terrible, both following the current 2008 trends respectively, and trying to place the track into something it's clearly not. Especially with a track that has already gone through the rounds of updating a few times. No, the one to cop this for is the Caspa & Rusko mix which also has top billing on this piece of wax. Reinterpreting this classic into Dubstep would not proven hard since the original already shared the aesthetics of modern day dubstep. Caspa & Rusko laced the rough original drums onto a fierce wobblebass and worked the original pads & vocal sample onto the track. The track packs heat and will probably go down hard on a dancefloor

Irostamore

We are ie set a landmark in UK rave history! Certainly not the first to sample the amen but this tune combined the break with gunshot + vocal samples, a simple but very effective reggae style bassline and was pitched up to the pace of the breakbeat hardcore emerging at that time. Dropped by major name DJ's at London raves in the summer of 91, it was extremely well received by an audience that wasn't entirely happy with the dominating techno sound. This style perfectly captured the vibe of the scene and quickly established the musical form that later became known as jungle.. Allegedly first put together in 88 it has a raw feel and basic production typical of the era. While changing the sound of London clubs and uniting a new breed of raver - in typical fashion was completely ignored by mainstream media and labels, which further secures it's lengendary status. Anyone interested in the roots of real Jungle Drum n Bass should check this piece of vinyl - in my opinion it's the most important release for this style of music.

Nahn

Legendary release this, most DJs point to this as the first Jungle drum and bass track. With the fat reggae style sub-bass bassline, sampled gunshot and the 'we are i.e.' sample taken off Coldcut's first album 'What's That Noise?', the vocal is in fact an arabian call-to-prayer type chant, which, if you get the album, you'll hear in full.

Drelalak

Adrenalin M.O.D. probably sampled it first, on this 1988 12" - https://www.discogs.com/Adrenalin-MOD-Four-Tunes-EP/release/88477

Nalme

Coldcut sampled the same track, 2 years after it's original release : http://www.discogs.com/Fadela-NSel-Fik/release/103521

Silly Dog

This massive tune that blew up raves up and down the UK in 1991 was certainly a ground breaking track that opened the door to a whole new style of hardcore rave music. It is also often cited as the first hardcore dance track to incorporate the amen breakbeat. This is in fact wrong as the amen was being used in other tracks at the time and the first hardcore tune to feature the amen was 'Father Forgive Them' by Holy Noise (Hithouse) which was released in 1990. Saying that We Are Ie is still one of the greatest tunes of a great era.

Goldfury

and what about NWA's 'Straight Outa Compton', speed that sucka up and you got the ones you mentioned above and that was probably made around 1987, released 1988

Conjukus

These proto-hardcore tunes used the Amen Brother break before Father Forgive Them:Success N Effect - Roll It Up (Bass Kickin Beats) (1989) Frankie Bones - Janet's Revenge (1989)

Light out of Fildon

The track "We Are IE" on this record is often cited as being the first proto-jungle tune. It was the first tune to really incorporate a heavy ragga bassline with a breakbeat and was an indicator of what was to come. It was a huge tune played by every dj and still gets played today by the likes of MJ Cole as his closing tune.